Friday, 9 December 2016

A2 Film initial planning


Contradiction A2 Film: initial Ideas and Planning

USP

       What makes our film trailer unique compared to other crime thriller trailers is that we have a strong female lead as the detective; we did this in order to challenge thriller conventions as they usually have male lead roles and female roles are usually just secondary characters.

      We also have a young male as one of the lead roles, we wanted a large age gap of the lead roles because they will have different life experiences and different perspectives in life. By having two different ages in the film, this may attract an older and a younger audience.

      These are two actors who are the inspirations for our lead characters, FBI agent Dana Scully from X-Files and Cartoonist Robert Graysmith from Zodiac.

 

Target Audience

      Males and females aged 18-30

      Thrillers appeal to young adults, due to their complex narratives, violence, gore etc.

      Crime thrillers are usually rated 15 at the lowest, this is because of the violence, sexual references and many other things. So a crime thriller film would be inappropriate for anyone below the age of 18.

      Our film trailer will be rated 15, as there will be violence and gore as expected with most crime thriller films.

 

Plot

·         A family murders occurs in Cambridgeshire

·         Only one survivor is left in each murder as the murders continue

·         It’s been 10 years since the last murder and a man was imprisoned all those years ago by detective Maria Jones, but now the homicides are happening again and so someone has been falsely accused and imprisoned for a decade.

·         Detective Jones must start all over again from the beginning to catch the real killer in order to preserve and protect her reputation of her career.

·         Young journalist and photographer Peter Stone arrives at the most recent crime scene to find out information and take pictures to get a story, he meets and attempts to speak to detective Jones.

·         Peter begins ask detective Jones a series of questions and is determined to find out more and they end up working together to find the real killer.

·         Peter manages to figure out the killers next target is and tries to tell detective Jones, however she thinks he’s wrong and dismisses what he has to say so he goes on his own to find him.

·         Peter arrives at the next targets house and tries to help a dying victim, the killer is still there and frames peter for the crime, the trust is lost between Peter and detective Jones.

 

Tuesday, 6 December 2016

Thriller Target Audience


Generally the target audience of the thriller genre are usually teenagers and young adults, this is because younger people are thrill seekers and enjoy the rush of adrenaline a thriller can provide a lot of due to their naturally intriguing, mysterious and action packed atmospheres. However, this may not be the case due to the existence of other sub genres like drama thrillers, fantasy thrillers, psychological thrillers etc. So depending on the sub-genre, the types of audience the film will attract will vary because people who are fans of the thriller genre as a whole may not like  sci-fi fantasy thrillers such as ‘Alien’, ‘Elysium’ or perhaps one of the latest releases ‘Arrival’ 2016. Although there is a mass audience for the umbrella genre of thriller, there are smaller niche audiences for the sub-genres.















In some cases, thrillers may be based on true events, and therefore usually attract a larger audience purely because a film tends to have a bigger impact on the audience if they know it is based on a true story. Some examples of real life inspired films would be ‘Zodiac’, ‘Monster’ and ‘A Time to kill’. All of these films were received well by the audience and their critics as they all gave fantastic performances form their lead actors, such as Charlize Theron’s performance in monster and her complete transformation of character. People who are already fans of the horror genre tend to also enjoy thrillers whether they are psychological, crime, drama etc. It’s the built up and tense atmosphere and the unpredictability of the narrative they enjoy, they can get that rush of adrenaline that horror thrill seeking audiences can usually experience with scary films.


















The thriller target audience will also enjoy thriller TV shows as well as films, so shows such as: Criminal Minds, CSI, Bones, Twin Peaks, The Killing, Wayward Pines, Dexter, Hannibal and Sherlock are perfect representations of crime thriller dramas and their styles and narratives reflect some of those in films. Some of these series and movies would be a great influence for my A2 film project to gain a better comprehension of what a crime thriller would generally entail.

Thursday, 1 December 2016

Horror/thriller film title connotations

When looking at a range of horror and thriller film titles, there tends to be a lot of similarities between them all particularly the use of the colours red and black to infer generally the same themes. Horrors and thrillers from decades ago would use similar fonts and colours to what films of the same genre have today, this may seem formulaic and clichéd, however, those colours and fonts work for a reason and can convey what themes would be expected in the rest of the film (red for blood and gore, black for death and white for innocence etc.)

The font in this title is thin and slightly messy almost as if it was written by a child, the colour white has been used to reflect innocence most likely to represent the lead character who is a child. The silhouette of the child is surrounded by an orange light which could suggest the barrier between life and death; it is described as going into a tunnel of light. The light of "heaven" is all around the child because it infers that he has a connection to the other side.

The title of Silent Hill looks like the text has eroded away almost rusty and old looking. This suggests that Silent Hill is like a derelict and damaged ghost town that has been neglected and barren for decades. Most of the text is white which could represent something innocent within the town (Alessa) that has been broken and ruined by someone or something else. When looking at the title you can already see that it suggests that this is no ordinary town and that something sinister and unworldly inhabits that place.
The titles font and colour choice is very simplistic yet effective, as it connotes exactly what the story entails. The font purposely has a ghostlike appearance with the outer glow around each individual letter, this could infer that the film is about spirits tormenting this woman in particular and anyone else she cares about. The text is extremely tin and tall, again emphasising the ghostly atmosphere and the wording of the text itself most definitely suggests that there is something unwelcome and threatening e.g. "them vs. us". The fact that the female protagonist is holding an old fashioned oil candle and the light is casting on her face, but around the light she is engulfed in darkness where the white ghostlike text is positioned. The positioning of the text and the actress highlights the divide between "the others" and the people or good vs. bad, dead vs. the living.

Straight away you can tell this is a very modern film; the text looks like the kind of font you'd find on a camera/video camera which is done on purpose as the entire film is recorded to look like it was all on a handheld camera and cameras set up around the house like CCTV. The text looks like it's glitching and malfunctioning, this could connote that something has gone wrong, the camera has been damaged by someone or something. The colour red used for the text so it can tell the audience that the characters will be in danger, it could even refer to the battery life on the camera; when the battery is low the symbol changes to the colour red so this could also mean that time is running out.

This is the original adaption of CARRIE from the 1970's, it is very clear that this film title and the other surrounding images are very dated. Back then it was easier to scare people when watching a horror film; the effects in that time would be dreadful in comparison to what todays audiences are accustomed to. The text almost has a Scooby Doo appearance to it and looks very 70's with the wavy text and the colours chosen aren't very conventional to the horror thriller genre as most films would usually go for either red, black or white. However film studios where very limited for access to good technology for effects and editing and you can clearly see the difference between this film and another from the present day.





This title has a slightly similar appearance to the Paranormal Activity title; the text is blurry and glitches across the screen. The font is basic but doesn't distract from what's important because it's what the word is that makes it important (seven murders for seven sins) and this is emphasised even more by placing the number seven where the "V" should be. The colours white and black have been used to suggest that simply there will be a strong theme of good vs. evil, however, the white is used fro the text because of the guaranteed 7 murders of 7 innocent people who are shrouded in darkness and evil.

Split is a modern thriller films of 2017 and strongly contrasts with film titles such as CARRIE. It's modern and simplistic yet encapsulates everything about the story just by having the text the way it is. The style of the font reflects the antagonist in this film; he suffers from split personality disorder but has approximately 23 different personas within him. This is why the title has lines going through the text and parts of it are out of place and mismatched, this is a reflection of the illness this character has and that the plot revolves around it.

The text for the Last house on the left title emphasises the most important and key words to the narrative; the word last highlights the "isolation" of the victims, the word "house" where an important scene will take place as the third act leads up to going back to the house. The fact that the word house is in the colour red with blood specs on it foreshadows the violence and gore in the final scene at the house. The colour white symbolises the innocence and purity of the young female protagonist, this is juxtaposed with the black background around the text to highlight oppression and envelopment in evil intent (the three people who abuse her and keep her and her friend captive).